in the news (143)

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january 2016 | by peter reedijk

Snow flurries just started as I began my trip down 191 to Pinedale, WY. It was late and getting dark, so I was eager to get some miles behind me. Only minutes outside Jackson Hole, the snow, no longer just flurries, started to close in on the road. I was gaining elevation and the road became a serpentine of curves, limiting my view. Darkness descended all around me and there was nobody on the road. No lights behind me and no lights ahead. It feels lonely here. . . Then suddenly, a warning light flashes urgently: BEWARE, deer next 5 miles. And not just a simple warning, but a 20-foot wide warning sign! My mind races ahead to tomorrow’s installation.

That is why I'm here. Our install crew has been on the road for several days and we are about to rendezvous and install a 30-foot-long outdoor art structure at a pullout overlooking a vast prairie. The installation interprets the long trek both pronghorn and antelope make during the spring and fall migrations. These lovely mammals used to cross this treacherous road often causing many human and wildlife casualties. Now a specially designed overpass allows wildlife to cross safely, out of harms way. The overpass is massive and our art installation attempts to put into scale the size and significance of this structure. My focus shifts back to the road. Still two hours to go. Watching out for stragglers passing by.

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november 2015 | by susan jurasz

After several months of work, the final products for the first phase of the Beaverton Wayfinding project, to be installed in Old Town, are rolling out the door. As with all wayfinding projects, the level of detail on these parking lot identifiers, pedestrian directionals, welcome signs, and information kiosks is astounding. Every aspect of the process is checked and double-checked; from the initial design through mapping, location identifiers, legend plans (what each sign says and the direction of the arrows), construction drawings, engineering, fabrication, sandblasting, automotive paints, powdercoats, printing and application of the legends to the painted sign fronts, to map application. Each step passes through a rigorous quality control check.

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october 2015 | by peter reedijk

Yesterday, students from Sheridan's Japanese School presented Sea Reach with a card, a box of doughnuts, and an overflowing basket of Japanese candy as a thank you to our team—in particular one of of fabricators, Chino for helping them outfit the school with proper lockers.

Sea Reach donated the metal plating for the sides and backs of the lockers while Chino measured and cut the plates to size. He then delivered the materials so that they could be painted and riveted to an existing structure.

The candy was approached with some trepidation, owing to some unique packaging, but was gone within 24 hours.

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august 2015 | by susan jurasz

"It rained for forty days and forty nights and the sun never set."
This is the line from one of our installers after a month working out of Seward, Alaska. He was assembling and erecting a series of large and small Alaskan yellow cedar kiosks along the historic Iditarod Trail. During the installation, he lived in a cabin, watching eagles each night and collecting Alaska stories in the rain and the lingering light. The best tales were about the salmon and the raven.

From almost the first day, Ray began fishing after work. His catch quickly accumulated, so, ever resourceful, he decided to build himself a smoker. A friendly Alaskan gave him some aged alderwood, and soon he was dining on his own freshly caught and smoked salmon.

The raven came later. At one of the job sites, near the end of the work, he was up on top of the kiosk installing the metal roof when a group of tourists stopped nearby. For the longest time, they stood and photographed him working. After a while, he began to think this very odd. When he finally looked questioningly at them, they asked: "Is that raven your pet?" Standing beside him on the peak of the roof was a huge black bird. Every time Ray moved forward and back, securing the metal to the wood rafters, the raven had stepped forward and back in a synchronized rhythm. The onlookers were fascinated, and Ray was tickled. Later, he shared his salmon with the raven and considered him a pal.

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august 2015 | by cory schott

We are working on a project for Sound Transit (the transit authority for Puget Sound) to interpret an historic train trestle that is soon to be demolished and replaced with a long span bridge. Since the trestle is being removed, we wanted to preserve the experience of riding across this long wooden trestle, particularly because it has an S-curve in it — so, we asked if we could set up a camera on a train and ride across. The client smiled and said —"Better than a train, let’s take the Hi Rail."

It turns out that a Hi Rail is a truck fitted with steel guide wheels in the front and back that allow it to move from road to rail with a simple flip of a switch. Hydraulic pumps lower the rail wheels onto the track and secure the truck onto the rails. Its tires still provide the propulsion and braking, but most of the weight is on the rail wheels. No steering is required. In fact, our first ride across the trestle was backwards! Our team attached cameras to several places on the Hi Rail vehicle.

Prior to taking the ride, we had to pass an online safety class and then we met again for a safety briefing before we got on the tracks. They told us we had two hours with clear tracks… according to routing officials stationed in Texas!

Our Hi Rail driver, Ron, has been working on this section of track for decades, including with the trestle’s previous owners, the Chicago, Milwaukee, St. Paul and Pacific Railroad (better known as the Milwaukee Road). He shared some great stories. It was amazing to experience it in person.

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july 2015 | by susan jurasz | show project

Imagine building a gigantic bird’s nest, stick by stick, one large enough to fit all your friends… Of course, it helps if all your friends help you build it too.

Sometimes a project has all the elements of imagination, art, fantasy, and fun. For several years, Sea Reach has been working with Mount Pisgah Arboretum in Eugene to develop an interpretive program that inspires visitors to look more closely at the natural world around them—or at least to see aspects of the natural world around them that may previously passed by without notice. There will be seven to eight interpretive nodes at the Arboretum. Each node is different, and all designed to inform the visitor and delight the senses.

The first node, under construction now, is the "Water Garden"—a raised platform along a slough that’s seasonally flooded by the west fork of the Willamette River—the wetter areas full of lily pads and the edges a wild jungle of riparian species. If you’re lucky, in the wetter season, you can glimpse a turtle basking in the sun. In the drier season, you might hear a pileated woodpecker tapping out a beat in search of insects.

The node consists of a viewing blind and a walk-through tunnel, constructed of aluminum poles and hand-woven filbert and willow branches. Windows—high and low—allow for a variety of perspectives on the seasonal wetland.

Interested in being part of the weaving party? Volunteers are welcome: contact the Arboretum here!

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may 2015 | by susan jurasz

The Iditarod National Historic Trail is a system of traditional winter trails linking Seward on Alaska’s southern coast with Nome in the arctic. Administered by the Bureau of Land Management, the INHT passes through over a thousand miles of state and federal lands. The historic trail system is being celebrated with a series of Alaskan Yellow Cedar roofed kiosks. Sea Reach is currently under contract to build and install nine of these kiosks along the trail’s southern section, between Seward and Anchorage, and building them gives us a chance to reflect on the special world of wood and steel construction.

After years of working with metal, we’ve developed some intimate knowledge about it—knowledge that is only important in the circles where it is applicable. Who thinks about the various alloys of aluminum: which can be bent and which break when put under stress? And why is it that the alloy that cannot be bent is rated for a higher wind-load? And with all this contemporary infatuation with weathering steel, how many people who request it actually know what ingredients are required to allow that designation, and how does it differ from mild steel?

With wood, it can be just as complex—there are so many variables, so many choices. Rough sawn or dimensional? Flat-cut, heart side, quarter-sawn and edge-grained. Mill rough, standard sawn, resawn, exposed, SAS, green, kiln dried. After picking and choosing among these descriptors, there’s more to consider: tension parallel to grain? Horizontal shear? And this is just scratching the surface!

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april 2015 | by susan jurasz

Installation is the final step in a long and detailed process. It’s very rewarding to see the exhibits settle into their proper place and function, and we have gotten good at it.
Installing exhibits is all about trouble-shooting and problem solving. We have a saying at Sea Reach: nothing will go as planned, so plan for the everything! The wall may not be plum, the studs might not be 12, 14, or 16 inches on center, or maybe the concrete pad never got poured … it will happen. But when you feel confident you can find a solution, this situation proves interesting, even exhilarating—encountering an in-the-field problem and solving it before it is even perceived as a problem.

When our installation of exhibits at the Hampton National Historic Site went off without a glitch (without even a trip to the hardware store, or a moment of hesitation!) Peter and I looked at each other with that recognition—that neither one of us should say a word, lest we jinx the great fortune we were experiencing.

In retrospect, all the normal idiosyncrasies of an installation occurred—the wall was, indeed, not plum, the studs were inconsistent, and the intended set of hardware did not work as well as the back up set. It’s just that we were prepared.

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march 2015 | by peter reedijk

For over two decades, Sea Reach has worked with the Oregon Travel Experience (OTE), formerly the Oregon Travel Information, to update the old Oregon Historical Markers and produce new ones This program is now nearly 50 years old. In recent years, we assisted in developing a series of "posts" for phone-based interpretive presentations. Several markers now are accompanied by a post that identifies a number to call for additional interpretation. Sometimes it is a personal story recounted by an old-timer, sometimes it is more detailed information on the topic of the historical marker… just a little more information for those that are interested. While we produce QR codes and web-based, smart phone apps—both of which can also provide supplemental information for a sign—there is something very convenient and familiar in just placing an old-fashioned phone call.

4 photo(s)

march 2015 | by susan jurasz

Fifteen years after we started work on the Hells Canyon Scenic Byway, we took a quick weekend road trip to update some exhibit panels. The weather was outstanding for February, and what we had planned as a three day installation trip, looked as though it might be completed in half the time.

We reached Baker City before noon, and started on the eastern portion of the Byway loop. The colors along the river were stunning. In the summer, the ribbon of vegetation along the river is the only green for miles; in the winter, its colors were like fire: bright yellows, oranges, and reds of the new twiggy growth of dogwood and willow. Set against the rolling amber hills, the brilliant blue sky was starting. Amid all this lovely color, It was good to see our exhibits and structures withstanding the test of time and weather. Everything looked great.

The weather was so balmy that we considered driving the National Forest portion of the loop, Hwy 39, thought the Wallowa mountains, but after two quick calls to the Forest Service field offices, we had to abandon the plan. Both offices said: Absolutely not, the road is closed for winter. So, we back-tracked to Baker City and La Grande, had a great dinner at the Lostine Tavern and spent the night in Joseph.

We woke up to a world of white. Over five inches of snow blanketed the earth outside our windows. This added a whole new dimension to the beauty! Living in the forested woodlands of the west coast of Oregon, it always amazes me the diversity of this state — and all within a half a day’s drive.

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